Mixing Media…I Can't Help It.

Tree Study in Alcohol Ink

Purchase this painting at auction, starts at $15

My college advisor told me that if my art was ever going to be taken seriously I needed to settle down and pick one medium to work in.  He said 'concentrate on one thing, so that you may master it'.  In many ways he was right.  The problem is that I LIKE to work in so many different media.  While it was very good advice given by someone I respected, I am still at odds when I look back.I think it's important, especially for children to realize that artists don't just sit down and whip out masterpieces.  Even the old masters.  

In sixth grade my school had a program called 'Mini Art'.  A random mom would come in with plastic covered prints of a master's works, and tell us about the artist, their work, and their (normally sad) lives.  In my 11 year old mind I thought my desire to be an artist was out of reach, because I couldn't make a masterpiece at all. My hands were never able to create what my brain imagined, no matter how much time I spent or how hard I tried.The part they left out of the 'Mini Art' program and my art education in general, is that no artist gets anywhere without regular, concentrated practice.  Artists screw up every time they work.  That's how art is.  It's a series of practicing adjustments, and keeping the best ones.  As an adult artist I wish someone had told me this when I was very young.

My piece for the day is a sketch in alcohol ink.  It is an attempt to quickly study and work out the kinks before I have to make decisions about creating it in glass, which is my media of choice on most days.  I work in any media I can get my hands on to figure these things out. My college didn't offer glass in it's program, and my advisor has since passed away.  I wish I could tell him that I found the perfect media to claim as my love, but I need the other ones in order to make it work..