Cool but not Cold

Blue Forest,  7"x 21" kiln-formed glass.  $595 includes stand
Kelly Crosser Alge 2014.
Available for sale in my Daily Paintworks Gallery

I've enjoyed this winter, believe it or not.

Really, I'm not at all a fan of cold, snow, gloomy gray skies, shoveling, slipping on ice, gloves, or cold wet shoes… and this was likely not the best winter to have the heater in my studio croak. 

This Winter gets a trophy.  It has made a valiant effort to keep it's snow on the ground the entire season.  While it has been nice and bright outside,  and it has entertained us with all of its school cancellations and record setting, It is time to say "SAYO-NARA to SNOW".

Parking lot piles and shady pockets of it are still lingering outside, but I trust that Spring will be spreading her dandelions soon.  Plus, the buzzards came back this week.  I like dandelions and buzzards.

I have enjoyed being trapped inside, and it feels like I've had more time.  Time with my family,  time playing in the studio, more time thinking…  I'm appreciative of the time without distractions from outdoors.  It's been quieter and more peaceful around here (aside from school cancellation days, of course).  I don't think I ever thought about that during other winters. 

God said "Be still, and know that I am God".  Being still physically is nearly impossible for me, but after this winter my spirit feels refreshed. 

The glass piece above is about quiet peace, stillness. Cool but not cold.  

And the Winner is...

Kenya Bowl

I'll get to the winners in just a moment, but please take the time to read…

Someone sent me a link on Facebook a few weeks ago about how first world problems sound when read by someone in a third world country.  My favorite one was read by a little boy. "I hate it when I order food and say no pickles, and still, they give me pickles." Another man read a complaint outside of his tiny hut.,"I hate when my house is so big, that I need to buy two wireless routers". His face was bright and his voice laughed as he spoke.

I couldn't stop thinking about all of the random silly complaints spoken within the walls of my own house.  "This stupid toilet isn't flushing right", "I'm hungry & there's nothing to eat",  followed by "I don't like (name anything that's in the refrigerator)", "Do I have to load/unload the dishwasher again?"  I am now sadly aware…

I asked for your complaints surrounding the topic of water, because that Facebook story  made me stop and think… My family and nearly every family I know has access to clean water. The water we give our dogs, wash our cars with, and even the water in our toilets is cleaner than the water many people have to drink each day.  We don't become ill from our water.  We don't walk miles carrying a jug home each day.   I want to remember this more often, but in the world we live in it's difficult thing to do.

My parents began a project last spring after they visited Kenya on vacation.  They found out about these amazing filters that can turn ANY water into clean, disease free, drinking water.  They raised money over several months, and were able to supply a small village with the filters, one for each household. The filters never need to be replaced, they can be backwashed and used over many years.  With these filters, waterborne illness could potentially be eliminated in many parts of the world.  They can also be used in situations of natural disaster when water becomes undrinkable. 

A filter kit is $95. 
This includes international shipping, training sessions with a translator to teach families how to use them, along with ways to  prevent waterborne disease.  Best of all, a family will have access to clean water for a lifetime.  

This spring and summer, I'll be making a special group of glass pieces to help fund the purchase of more filters.  I hope to involve some school groups, friends, students, and random people in the creation of these pieces. (are you interested in playing with some glass?)… If you'd like to be involved, keep watch,  I'll be posting more details soon :)

OK ON TO THE WINNER!!!
Thanks to all of you for your contributions to the discussion, and especially for reading about the project.  I let my kids draw the names, and since there were two kids here, there are two winners.

Congratulations to ANNA CURTH! and CRAIG SMITH!

Here is the link to the Facebook Story I watched:

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If you want to hear more, read on!


Below are photos from my parents' project.  The group arrived very early for the training session, and I think the women are smiling the most because it is their job to deal with providing water for their families.  The second photo is of Rose Wambua, who is doing the training, along with the chief elder of the village, who is translating.





In Africa, 387 million people lack access to clean water. 

3.1 million people die each year from preventable, waterborne illnesses. That is more than the entire population of Los Angeles.

Globally, an estimated 200 million hours are spent each day collecting water.  

Women and children are prohibited from accomplishing little more than survival.  Not because of a lack of ambition, or ability, but because of a lack of safe water and adequate sanitation. Millions of women and children in the developing world spend untold hours daily, collecting water from distant, often polluted sources, then return to their villages carrying their filled 40 pound jerry cans on their backs.

The lost productivity of people collecting water is greater than the number of hours worked in a week by employees of Wal-Mart, UPS, McDonald's, IBM, Target, and Kroger combined.

These statistics are from the World Health Organization.  (I didn't make this stuff up!)

Water and Winter (and a chance to win each month for a year!)

Winter Water Tower, Chicago
Fused Glass Sgraffito 'Frit Painting'

For today, January 14, 2014~ 
This is a piece I've been working on over the past week.  It's out of the kiln for the third time, and I still haven't decided whether or not it's finished.  All artists struggle with this indecision, but when we each make the final approval of our work, we sign our name to the piece and call it 'finished'.

That's a problem, because the odd thing about glass sgraffito drawing is that it is necessary to sign your piece in the powdered glass before it ever goes into the kiln.  What? 

It does feel a little disconcerting to be signing a piece that's barely begun, but I think it's far more beautiful to sign it in the glass itself than to skid across it with a Dremel tool later.  

So what happens to the pieces that get signed and end up in the junk pile?  People seem to want to know... so here's the answer.  The signature gets smashed off, and the piece 'goes to pieces' to make better things :)
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Don't forget to add your comments for a chance to win one of my glass pendants every month for 2014!

Here is all you need to do:

Please tell me your pet peeves, complaints, and 

irritations surrounding the subject of WATER.

Enter your response  in the "Comments Box" at the end of the post. 

Then, on the right side of this post, click on either 

"follow by email" or "subscribe to posts"

Pretty simple, no?
You'll get one entry per unique response between now and next Sunday, 1/19 at midnight.

Be sure to tell any friends that subscribe to add your name to the end of their comment, because you'll get extra credit for their entry.

Best to you all, I can't wait to tell you about the project!!

Win a Glass Piece Every Month for 2014!

January 12, the new thing I learned today is how to fix the problem of not having an easy comment box on this blog! 
Tomorrow will be better now.  
Here again is the recap from yesterday, along with an all new comment box so that we might discuss :)  
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Today I'd like to give each of you an opportunity to receive a surprise package in the mail each month for 2014.  I'm looking for some random input from random folks to help me with a project that is very meaningful.  I can't tell you the details yet, but if you're willing to help simply by giving me some opinions, I will put you into a drawing to win one of my glass pendants every month for an entire year.  I guarantee you'll be very glad to be a part of this when I tell you what it is!

I would like to move this project into full swing as soon as possible, and will draw the name on January 19, which is just one week and a few moments from right now.   Also, you will get an extra entry for anyone who you direct to my blog that leaves a comment to help with the project.  Doesn't that sound nice?

Here is all you need to do:
Enter your response  in the "Comments Box" at the end of the post. 
Then, on the right side of this post, click on either "follow by email", or "subscribe to posts"

Pretty simple, no?
You will get one entry per unique response between now and next Sunday, 1/19 at midnight.

Be sure to tell any friends that subscribe to add your name to the end of their comment so that you get credit for their entry as well.

Please refrain from duplicate responses, be creative!
HERE IS THE QUESTION:

Please tell me your pet peeves, complaints, and irritations surrounding the subject of WATER.

Here's a start.
I hate it when the shower water gets cold before I rinse my hair.
also,  I hate it when I step in water on the floor when I'm wearing socks.

READY??  GO!

Surprise in My Mailbox, and a Surprise in Yours!

An unexpected package arrived on my doorstep this morning, and if you lend me your input on a new project, one could arrive on yours next week too… read on~

My friend Ranae Atchison read of my 'melting dishtowels to the new stovetop' problems, and sent me these hand crocheted COTTON dishtowels, which won't melt when I do something stupid.  What a great surprise it was to receive something so sweet and without a bill attached to it!  
Ranae is a brilliantly talented sculptor, bead maker, silver designer… the list goes on… 

Check out her work here: Ranae Atchison, Artist 

I need your input!     Today's post is not about fused glass, or sgraffito, or painting… but I'll be back to the 30 paintings in 30 days challenge again tomorrow.  Today I'd like to give each of you an opportunity to receive a surprise package in the mail each month for 2014.  

I'm looking for some random input from random folks to help me with a project that is very meaningful.  I can't tell you the details yet, but if you're willing to help by giving me some opinions, I will put you into a drawing to win one of my glass pendants every month for an entire year.  I guarantee you'll be very glad to be a part of this when I tell you what it is!

I would like to move this project into full swing as soon as possible, and will draw the name on January 19, which is just one week and a few moments from right now.   Also, you will get an extra entry for anyone who you direct to my blog that leaves a comment to help with the project.  Doesn't that sound nice?

Here is all you need to do:

Enter your response  in the "Comments Box" at the end of the post.  

Then, on the right side of this post, click on either "follow by email", or "subscribe to posts"

Pretty simple, no?

You will get one entry per response between now and next Sunday, 1/19 at midnight.

Be sure to tell any friends that subscribe to add your name to the end of their comment so that you get credit for their entry as well.

Please refrain from duplicate responses.



HERE IS THE QUESTION:

Please tell me your pet peeves, complaints, and irritations surrounding the subject of WATER.

I will start.

I hate it when the shower water gets cold before I rinse my hair.

also,  I hate it when I step in water on the floor when I'm wearing socks.

READY??

Tell me what you think~  GO!

YEA!!! Thank you Ranae!!

Trees, Trees, Large and Small

Yellow Trees,  3x5, framed to 5x7
Fused Glass Sgraffito Sketch
Daily Paintworks Quick Auction, $40

Tiny Red Forest, 2.5x3.5, framed to 3.5x4.5
Fused Glass Sgraffito Sketch
Daily Paintworks Quick Auction $20

Here are few more Fused Glass Sgraffito  tree sketches to share~  I spent much of the past week working on color swatches and test samples.  New glass colors are always tempting me, and there are always new ones coming out. (Big thanks to Bullseye Glass Co. for that) Each new color I use requires some testing to see how each interacts with colors I'm familiar with, and how each works for the technique I'm using.  Today I have been working some trees with a special production 'Chalky Blue' glass. It's a larger frit painting that will require more than one firing, and won't be ready to share for a few more days.  The other one I'm working on is a Chicago themed piece featuring the famous Water Tower.  A little tricky to plan, and again, multiple firings, but I'm really excited to see how these fare in the kiln.

Here's a little sneak peek of the chalky blue forest...

Throwaways?

 Glass sgraffito sketch made with powdered black glass on white sheet glass

This is a photo of a demo sketch I did at an art show somewhere last show season. It's a 'throwaway' of sorts.  Because there is no way to melt the glass on site, it all gets dumped back in the jar or brushed away into the grass when it's time to go.  

People don't like it when I do that, for some reason.

Here is another sketch from a different show, only this time I forgot to bring the powdered glass to demo with.  Aye… and I was on the schedule at 1pm...

This sketch was made from dirt that I found along the riverbank.  Turns out, it works just like powdered glass. 

Can you keep it?  Nope.   Can you sell it?   Only if it's a cornflake that looks like the Virgin Mary. 

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The beauty in these 'throwaways' becomes my sketchbook.  The lessons they teach me while I'm sitting at shows with nothing to do can't be replaced, redone, or made better by keeping them in a physical sense.

I've learned not to get so attached to a piece that I forget to think about why I am creating it.

Blowing these sketches into the wind is very freeing.  I would recommend it to artists in all media.  Smash a pot, burn a painting, build a sandcastle, speak your heart into a dog's ear...You never lose, you only get better.

Another lesson I learned from dirt painting is that it's an excellent way to teach kids to draw.  Dry erase board + dirt + kid,  there is no end to what they can make.

Chameleons and Denim

Fused glass sgraffito painting, 9"x 12".  This piece is sold, but you can check out some others here

She's going into the kiln for the last firing tonight... finally!

Day 8 of 30 "Kiln glass frit paintings" in 30 days

I've been trying out some new color schemes lately, and it made me think about how much light really has to do with how they look.  If you look at each of these photos, they almost look like two different pieces.  Slight changes of color and lighting can really change the way we feel about something we see.  For example, I put on my daughter's denim shirt the other day when I forgot to  take a clean one in for my shower. I don't like wearing blue at all, but after fumbling with a towel and wet hair, I didn't really care what shirt I got out of the dryer.  Later that day I caught a glance at myself in the mirror…
 "Man, that doesn't even look like me", I thought when I saw the blue. Strange.

After pondering this for a bit, my mind landed on chameleons~ and that brings us to the new thing I've learned for today, January 8th.

    Everyone knows that chameleons can change their color to blend in with their surroundings, but did you know that they have the most complex eyes of all reptiles?  I didn't. Chameleons' eyes work independently of each other, allowing them to look at two different objects at the same time, adjusting the depth of field in each eye according to what they look at.  They can see 360 degrees around them at any time!  Pretty tricky to keep one eye watching out for predators from afar, and the other eye sharply honed in on someone's tuna sandwich.  I'm glad human eyes don't work like a chameleon's. Can you imagine driving like that? Or going on a date? or trying to make art? 

Here's a wink for you!  Stay warm friends~

My Best Friend

On the day after Christmas, my best friend moved 1000 miles away to San Antonio, Texas.  Let me tell you about her…

Wendy Garland has been my best friend since we both got stuck in a small country school when our parents moved to the boonies.  She rode my bus, which was full of kids from kindergarten through 12th grade. That was a little weird.  Who on earth would put little kids in the same bus with middle and high school terrors, really. 

 The first day of school for my brothers and I was in November, 1988.  I was a sophomore.  It was not fun walking down the endlessly long driveway to stand at the end of the street waiting for a stupid bus to take me straight to hell.  It was even less fun entering it, making sure my little brothers had a spot to sit where I could be close.  I was the only high school student sitting in the front of the bus, and I hated the feeling I got from the staring eyes of everyone behind me. (still hate that feeling, so if you are staring behind me, please alert me so I can turn around and stare back. LOL.)

Enter Wendy.

Equally miserable, as I found out later… her parents had moved a mile down the road from me about two months earlier.  She had been there since the beginning of the school year and had not been enjoying the new school at all.  We got to know each other and found that hating our parents for moving us out of our happy lives was our common ground.

Turns out, it was probably the best thing our parents could have done.  She has been the best friend I could ever hope for, the sister I never had, and a huge inspiration to me in so many ways.  She is the strongest, smartest, most independent and driven woman I have ever met.  Wendy has stuck by me through thick and thin, when I was on top of the world, and when I was buried beneath it.

She is beautiful, graceful, and most importantly, she DOES right. Standing up for what is true and good is hard in this world, but she is right there doing it. I love her for that.

The piece I submitted for today was made last fall, so I am cheating a little by submitting it today.  It is a tribute to my friend, who I hope to walk with in Paris some day when we are fat and old.

Why is Everyone Throwing Hot Water?

Tiny Summer Garden Fused Glass Sgraffito , 2.5"x 3.5" Auction starts at $15

Today, January 6, is the coldest day on record in the past 150 years here.  In fact, the air outside is so cold, that many people have been outside trying this interesting experiment:  

Boil a pan of water. Take it outside, and throw the water up into the air. The water immediately turns into snow and blusters away. WOW!  That is really a cool trick!

It has been fun watching my 100+ lb. golden retriever swim through the drifts too, I can not imagine trying to go to the bathroom in a snowdrift that is waist deep.  Ha.  Even the squirrels seem to have that puzzled,"what the heck happened here?" look when they ran down the tree, disappeared in the snow, then did a quick 180º back to their nest...

I thought a tiny summer garden piece would be appropriate for my 30 in 30 entry for day 6.  I can look at it and think about flip-flops and skirts, and how the summer breeze will be back when it finishes warming the other half of the globe.  It is their turn, after all. Stay warm and happy friends!

Short. Sweet. Wet. Sticky. And a Kitty in the Window

Kitty in a Window  Fused Glass Sgraffito Drawing 5x7 Daily Paintworks Auction 

My post for today is going to be short and sweet, and wet and sticky.  More on that in a minute… 

Today, January 5, I am excited to have this lovely snowstorm blowing in tonight.  Everything is so beautiful and quiet outside, and it was a balmy 30 degrees all day. My studio is finally warm enough to be able to work in without a bunch of sweaters and boots on, and although the temps are supposed to drop to -17F tomorrow I am happy, because my big kiln is loaded with new artwork and warming up as I type. 

 (By the way, I am typing with both hands again, which makes it even better)So here is the wet and sticky part.

When I came in to do my computer work, my lovely husband brought in a nice glass of wine and some almonds for me.  He spent the entire day slaving away scrubbing and resealing grout with a toothbrush, and painting trim.  In comes my daughter (who is supposed to be in bed, but for some reason needs the stapler RIGHT NOW).  She reached for the stapler, and knocked over my nice glass of red wine right into my keyboard, my iPad, my new white Goodwill sweater that I love, and oh no… right onto the new grouted floor. OH Oh oh.

I can tell you that the stuff he got from Lowes to seal the floor worked like a charm and there is no trace of purple anywhere except my lap, which is still soaked. Happy ending to a nearly disastrous event. The new thing I will learn for today? How to change the keyboard back to english.  I must have hit something while I was drying the mess :ñ 

Mixing Media…I Can't Help It.

Tree Study in Alcohol Ink

Purchase this painting at auction, starts at $15

My college advisor told me that if my art was ever going to be taken seriously I needed to settle down and pick one medium to work in.  He said 'concentrate on one thing, so that you may master it'.  In many ways he was right.  The problem is that I LIKE to work in so many different media.  While it was very good advice given by someone I respected, I am still at odds when I look back.I think it's important, especially for children to realize that artists don't just sit down and whip out masterpieces.  Even the old masters.  

In sixth grade my school had a program called 'Mini Art'.  A random mom would come in with plastic covered prints of a master's works, and tell us about the artist, their work, and their (normally sad) lives.  In my 11 year old mind I thought my desire to be an artist was out of reach, because I couldn't make a masterpiece at all. My hands were never able to create what my brain imagined, no matter how much time I spent or how hard I tried.The part they left out of the 'Mini Art' program and my art education in general, is that no artist gets anywhere without regular, concentrated practice.  Artists screw up every time they work.  That's how art is.  It's a series of practicing adjustments, and keeping the best ones.  As an adult artist I wish someone had told me this when I was very young.

My piece for the day is a sketch in alcohol ink.  It is an attempt to quickly study and work out the kinks before I have to make decisions about creating it in glass, which is my media of choice on most days.  I work in any media I can get my hands on to figure these things out. My college didn't offer glass in it's program, and my advisor has since passed away.  I wish I could tell him that I found the perfect media to claim as my love, but I need the other ones in order to make it work..

Tiniest of Trees for Today

Short and sweet today, I'm up to my eyeballs in orders and piles of glass.  This is a great thing!  These little fused glass sgraffito 'sketches' are tiny, only 2½ x 3½ inches, but they're great for testing color in the kiln without wasting a lot of materials. I've been worrying about my baby fruit trees surviving the cold, so sketches of warm weather trees will do nicely.

Today, Jan.3rd,  I learned that I have to set up my keyboard in order to type the 'half' symbol.  I thought I would be smart and copy/paste one from another site, but alas, it has changed my font size.  Lesson learned. I also tried mint tea for the first time and it's not so bad after all.

These pieces are available for sale in my Daily Paintworks Gallery

Something Old (sort of), and Something New

"As Luck Would Have It", Kiln-formed glass panel.  Kelly Alge ©2013.

This is my entry for Day 2 of Leslie Saeta's '30 Paintings in 30 Days Challenge' … I made this 3 months ago, so it isn't exactly old, but it is definitely not something new I suppose.  To truly be in the spirit of this challenge I should have made it today, but life got in the way and I didn't make anything art related.  (boooooo!)  I'll make up for it in the end.

Anyway, in keeping day 2 of my resolution to learn something new everyday, I can tell you that I've learned several new things today…

I learned how many sorts of sutures surgeons have to learn and what each kind is good for the thing you need to suture.  I read about all the different filaments that are used, which ones are strongest in certain situations, and I learned that some of the self-dissolving ones are made from catgut or beef tendons. Interesting.  The patterns and technical knowledge, along with years of practice develop the suturing skills of the physician until he or she can do them perfectly.  Kind of like art, isn't it?  

Two weeks ago today I had hand surgery to correct a tendon problem.  It's healing nicely, and my sutures were actually pretty interesting to look at. Very precisely done, and surprisingly not like any stitches I'd ever seen.  I was supposed to schedule a followup to have them taken out, but instead I got busy with the holidays and such.  Deciding to try to remove them myself,  I found my tiny scissors and tweezers. When I couldn't figure out where the snips should be,  I resorted to the internet.  How many things do you think go wrong when consulting the internet?  This time things went well and I wasn't "left in a stitch".  

Another important lesson from today… as a new user of a smooth cooktop stove, of course I've been freaking out about ruining it somehow.  After I made dinner I carefully squirted the polish on, then put my teakettle on the back burner to heat.  Wrong burner.  When I turned around I noticed that my polish was boiling and the water was not, so in a dash from the sink I instinctively tried to quickly wipe it off with one of my orange dishtowels.  UMMMM… I won't be buying anything but cotton dishtowels from here on out.  That's all for tonight.

Hello 2014, I've been waiting for you!

Welcome to the New Year 2014!

Last night I asked my kids what their New Year's Resolutions were this year.  Each of them replied,"I don't have any". One said it is impossible for her to be changed for the better, she likes herself as she is.    Another said "Why do we have to make resolutions? They're stupid!" followed by a third "I bet you don't have any, and does Daddy have to make some too?" The last one simply said "I'm not doing that".  Okaaay...

My 9 year old caved first and made her list of the requested 5 things she could do to improve herself in 2014.  Her "Revolutions" for 2014 included improving her school work, practicing basketball, and riding her bike every day in the summer.  My 17 yr old is going to write letters to her favorite singer and do 50 pushups each day.   I'm still waiting on the other two to come up with something before the night ends...

As for myself, there are many things I'd like to change for this next twirl of the world.  I'm definitely not doing pushups or trying to play basketball (I am nearly 6 ft. tall, can't dribble a ball and run at the same time, and I'm still happy:) 

Here are some things I'd like to get better at this time around… and a quote.

I am always doing that which I cannot do, in order that I may learn how to do it.
Pablo Picasso

 
I'll make a concentrated effort to learn something new each day, and document it.

I'll look for the positive in every person in every situation, and remove myself from the negative.

I'll trust God over myself.

I'll spend more time listening to others.

I'll waste less time on things that aren't important.

For January 1st,  as silly as it seems,  I tried to make homemade tortilla chips with limited success.  I also learned how to take care of the orchid and bonsai tree I got for Christmas from my husband, and read all about how not to kill the poinsettia I have slowly strangled for the last two weeks.  Fertilizer in hand, I hope Jan. 2nd brings some perk in everyone.  I'm going to participate in Leslie Saeta's 30 Paintings in 30 Days again this year, but instead of working in oil, I'll be "frit painting" with glass so I don't get behind in my regular art job.  I learned so much from participating in this challenge last year, I'm really happy to be able to do it again.  Best to all of you!  ~Kelly

Bullseye Glass Portland Trip~ Part One

I am home from a wonderful week of Educator's workshops at Bullseye Glass, and now it's time to fill you all in on everything... I'm finally feeling 'back to earth' after a super busy week so to warn you ahead of time, so much happened that it's going to take several posts to share all of it~ Our class was a unique group of very talented and successful kiln glass artists from as far away as Scotland, England, Massachusetts, Florida, Texas, and more. It was interesting to see the scope and range of everyone's work as we all got to know each other. I feel blessed to have been part of such an accomplished group of artists. I'll link all of their websites later so you can check them out too. The first full day of class we worked on a kiln-forming 'forensics' type project (KSI) where we inspected around 35 glass pieces and had to match them to the firing schedules to find the problems. It was a bit overwhelming at first when we were handed the big stacks of kiln programs, but in the end it was really pretty easy and kind of fun. We returned to the research and education center and found that we each had a huge clean space to work in, and that there were 'shop fairies' who came along each day and completely cleaned up our workspaces. How I would love for them to have followed me home! Throughout the rest of the week, we were taught how to effectively teach new techniques in screen printing with powdered glass (Stacy Lynn Smith), pattern bars, cold working, and casting (Jim Weiler, Louise Krampien, and Bonnie Celeste. We had full access to Bullseye's entire product line and were allowed to experiment with new colors and products, (my favorites being the new half-millimeter stringers and new 'cream' non-reactive glass). I learned a lot about planning curriculum, teaching effectively and was given a lot of time and resources to create class samples on my own to use in my teaching. This talented group brought a lot to the table for the workshop, and I appreciate the immense amount of information we all took from each other during the week. I have to thank my personal tour guide and new friend, Chris Lally who took a huge chunk of her time to pick us up from the airport and show us the beauty of the Portland area. She is an accomplished painter and I met her during Leslie Saeta's "30 in 30 painting challenge" earlier this year. More to come on our Portlandic adventures with Chris and her husband Tim and all the terrific people I met...along with more glass stuff, of course!

Wonderful News!

Student projects from last weekend's Fused Glass Sgraffito Drawing workshop~
Look at all this fantastic work!
This was a really fun group to work with, and their pieces are all extremely well done. Hats off to you ladies!
Artwork from left to right:  Shirley Cole, Laurie Mueller, Gail Stanforth, and on bottom, Gloria Moses.

Next workshop is scheduled for August 9, 10, & 11, and we'll be doing something a little different! We'll be designing colorful cityscapes by incorporating powder drawings into a larger work of art.  You can find out all the details and registration information on my website   HERE.

Wonderful News!!!

As many of you know, I have been given the incredible opportunity to work with other glass artists and teachers for a week in Portland at the Bullseye Glass Factory next month.  I have had many sleepless nights worrying about how I was going to pay for the travel expenses to be able to do this.  Lots of my artwork has sold, but with 4 kids and bills it has still been really hard to save for the trip. 

Then came a huge surprise...

I got a letter in the mail saying I had been selected to receive a Palmer Scholarship from the Toledo Museum of Art, which will pay for ALL of my travel expenses for the trip!!!  I am so thankful to the donor who sponsored it, and I can't wait to be able to tell them how much it means to me.  I feel a huge weight removed knowing I'm not going to have to sink into debt to make the trip, and I'm going to learn EVERYTHING I can possibly soak up while I'm there (without the added worries)!  Thank you, Thank you to everyone who has supported me, and to TMA for offering these opportunities to help artists grow in their discipline.

Fear and Creativity... Shattered Glass and Success

Guess what I learned this week?  

Reverse enamel painting with 

Cappy Thompson!

Working on adding color to the inside of my vessel~ It's challenging to paint on the inside without disturbing what you've already painted!   We used sawed off brushes so the handles were short enough to keep the end from bumping paint that had already dried.  Cappy also taught us how to burn bristle brushes to make them curved like the inside of the vessel.  Pretty stinky but very effective!

 This was a fun week,  after spending 4 straight days at the Toledo Museum of Art's famous Glass Pavilion with master glass artist Cappy Thompson,  I feel artistically 'recharged'.

I've never had the opportunity to learn from a glass master before, so I was thrilled to hear that she was coming from Seattle to Toledo to teach.  Most of what I know about working with glass is the result of countless hours of crazy experimenting on my own, lots of reading, and not being afraid to screw up royally.  

Fear is something that burdens everyone.  Fear of the unknown, of being hurt, disappointed, unsuccessful, or misunderstood affects each one of us.  In a classroom setting, the fear of failure is usually lurking heavily in the background.  It tries to steal our confidence and it stifles our creativity...We get a few days to learn something completely new in hopes of leaving with a piece of artwork we can be happy with.  Even more intimidating is to be in a class with experienced people when you know big fat... nothing.

When I have the opportunity to try a new technique, I want to learn and understand EVERYTHING in a ridiculously short amount of time.  My mind races into creative 'what ifs' and swirls with ideas to the point where I can't think at all.  I want to skip over all of the beginning stuff and jump into the sea of major undertakings.  I don't care at all about bringing home something pretty.

 I seem to have lost much of my 'art fear' somewhere along the line, and I feel almost free.  I learn new things,  I don't care if my pieces turn out. (Of course it IS a bonus when they do turn out)  Truly, I only want to see if what I had in mind works, or does not work.  In fact, I could spend days, weeks, or months on a project... once I see it completed, success or failure I am satisfied.  The process is so much more important to me, and I really enjoy being part of the processes of others when I'm in a classroom.  Everyone is in the same boat, but our own fears and lack of experience can make us feel like we're in a canoe instead of an ocean liner.  

I wish more artists could ditch the fear.  Fear should not dominate creativity;  rather, creativity should put fear right back in it's place. FAR away from our studios, our classrooms, and our lives.  Something to think about, isn't it?

Creativity builds our skills and brings passion to use what we learn from our failures to create real successes.... 

I dropped my most successful piece from this class on the kitchen floor as soon as I brought it home, shattering it to pieces.  I was frustrated because I wanted my husband to see how it looked finished.(maybe in attempt to justify what I had been spending all of my time on this week...)  Anyway, it is true.  And I really don't care that it's gone because what I learned by making it cannot be shattered.  Every unsuccessful piece has brought me closer to something I can truly be proud of...

The group was fantastic, lots of very talented ladies here~ 

Love and dread? Yes.

This is the time of year I dread and love at the same time.  I love making things without the constraint of having shows every weekend.  I dread the art show applications (and inevitable rejection letters) along with the happy "you've been accepted' letters that also require a $500 payment to secure my space to exhibit.  I don't think most people realize that artists truly do gamble our lives each day.  We present new work to the jurors each year, and they collectively determine our potential for income.  It is a crapshoot, and I am happy to play.  So far I've been accepted to four shows with no true rejections, but I know those rejection letters are going to come.  It is hard to plan.  We never know what juries want to see, and hardly ever get feedback that helps. It's horrible to get those letters that say "We're really sorry" I'm really happy with the work I've been producing this month, and for now, that is what matters to me the most.

Want to help make a stranger's day?

"The Phoenix", Oil on Gessobord,   6"x 6"

Participate in this auction in my Daily Paintworks Gallery!

A friend and I went to this cafe for breakfast when I was teaching a glass class out of town.  A man came in while I was there, he was apparently mentally challenged and he looked cold and hungry.   I asked him if he was hungry and he said no but I could tell that he was.  He wanted a small cup of water.  

We secretly bought him a coffee and bagel and left without him knowing.

I think about this man often, wondering if he is cold and hungry a lot.

I want all of the proceeds from the auction sale of my painting to go to this coffee shop in Benton Harbor, Michigan, to start a sort of "kindness fund" in honor of that man. 

 It would be a great way to offer any random person the opportunity to have a free cup of coffee,  be warm, and feel cared about for awhile.  

Please, please share this story, and put in a bid if you're inclined.  You can do so by clicking the link under the photo.  You could get the painting and help a lot of people in the process! 

 It's going to be so great to surprise them...