Mixing Media…I Can't Help It.

Tree Study in Alcohol Ink

Purchase this painting at auction, starts at $15

My college advisor told me that if my art was ever going to be taken seriously I needed to settle down and pick one medium to work in.  He said 'concentrate on one thing, so that you may master it'.  In many ways he was right.  The problem is that I LIKE to work in so many different media.  While it was very good advice given by someone I respected, I am still at odds when I look back.I think it's important, especially for children to realize that artists don't just sit down and whip out masterpieces.  Even the old masters.  

In sixth grade my school had a program called 'Mini Art'.  A random mom would come in with plastic covered prints of a master's works, and tell us about the artist, their work, and their (normally sad) lives.  In my 11 year old mind I thought my desire to be an artist was out of reach, because I couldn't make a masterpiece at all. My hands were never able to create what my brain imagined, no matter how much time I spent or how hard I tried.The part they left out of the 'Mini Art' program and my art education in general, is that no artist gets anywhere without regular, concentrated practice.  Artists screw up every time they work.  That's how art is.  It's a series of practicing adjustments, and keeping the best ones.  As an adult artist I wish someone had told me this when I was very young.

My piece for the day is a sketch in alcohol ink.  It is an attempt to quickly study and work out the kinks before I have to make decisions about creating it in glass, which is my media of choice on most days.  I work in any media I can get my hands on to figure these things out. My college didn't offer glass in it's program, and my advisor has since passed away.  I wish I could tell him that I found the perfect media to claim as my love, but I need the other ones in order to make it work..

Tiniest of Trees for Today

Short and sweet today, I'm up to my eyeballs in orders and piles of glass.  This is a great thing!  These little fused glass sgraffito 'sketches' are tiny, only 2½ x 3½ inches, but they're great for testing color in the kiln without wasting a lot of materials. I've been worrying about my baby fruit trees surviving the cold, so sketches of warm weather trees will do nicely.

Today, Jan.3rd,  I learned that I have to set up my keyboard in order to type the 'half' symbol.  I thought I would be smart and copy/paste one from another site, but alas, it has changed my font size.  Lesson learned. I also tried mint tea for the first time and it's not so bad after all.

These pieces are available for sale in my Daily Paintworks Gallery

Something Old (sort of), and Something New

"As Luck Would Have It", Kiln-formed glass panel.  Kelly Alge ©2013.

This is my entry for Day 2 of Leslie Saeta's '30 Paintings in 30 Days Challenge' … I made this 3 months ago, so it isn't exactly old, but it is definitely not something new I suppose.  To truly be in the spirit of this challenge I should have made it today, but life got in the way and I didn't make anything art related.  (boooooo!)  I'll make up for it in the end.

Anyway, in keeping day 2 of my resolution to learn something new everyday, I can tell you that I've learned several new things today…

I learned how many sorts of sutures surgeons have to learn and what each kind is good for the thing you need to suture.  I read about all the different filaments that are used, which ones are strongest in certain situations, and I learned that some of the self-dissolving ones are made from catgut or beef tendons. Interesting.  The patterns and technical knowledge, along with years of practice develop the suturing skills of the physician until he or she can do them perfectly.  Kind of like art, isn't it?  

Two weeks ago today I had hand surgery to correct a tendon problem.  It's healing nicely, and my sutures were actually pretty interesting to look at. Very precisely done, and surprisingly not like any stitches I'd ever seen.  I was supposed to schedule a followup to have them taken out, but instead I got busy with the holidays and such.  Deciding to try to remove them myself,  I found my tiny scissors and tweezers. When I couldn't figure out where the snips should be,  I resorted to the internet.  How many things do you think go wrong when consulting the internet?  This time things went well and I wasn't "left in a stitch".  

Another important lesson from today… as a new user of a smooth cooktop stove, of course I've been freaking out about ruining it somehow.  After I made dinner I carefully squirted the polish on, then put my teakettle on the back burner to heat.  Wrong burner.  When I turned around I noticed that my polish was boiling and the water was not, so in a dash from the sink I instinctively tried to quickly wipe it off with one of my orange dishtowels.  UMMMM… I won't be buying anything but cotton dishtowels from here on out.  That's all for tonight.

Hello 2014, I've been waiting for you!

Welcome to the New Year 2014!

Last night I asked my kids what their New Year's Resolutions were this year.  Each of them replied,"I don't have any". One said it is impossible for her to be changed for the better, she likes herself as she is.    Another said "Why do we have to make resolutions? They're stupid!" followed by a third "I bet you don't have any, and does Daddy have to make some too?" The last one simply said "I'm not doing that".  Okaaay...

My 9 year old caved first and made her list of the requested 5 things she could do to improve herself in 2014.  Her "Revolutions" for 2014 included improving her school work, practicing basketball, and riding her bike every day in the summer.  My 17 yr old is going to write letters to her favorite singer and do 50 pushups each day.   I'm still waiting on the other two to come up with something before the night ends...

As for myself, there are many things I'd like to change for this next twirl of the world.  I'm definitely not doing pushups or trying to play basketball (I am nearly 6 ft. tall, can't dribble a ball and run at the same time, and I'm still happy:) 

Here are some things I'd like to get better at this time around… and a quote.

I am always doing that which I cannot do, in order that I may learn how to do it.
Pablo Picasso

 
I'll make a concentrated effort to learn something new each day, and document it.

I'll look for the positive in every person in every situation, and remove myself from the negative.

I'll trust God over myself.

I'll spend more time listening to others.

I'll waste less time on things that aren't important.

For January 1st,  as silly as it seems,  I tried to make homemade tortilla chips with limited success.  I also learned how to take care of the orchid and bonsai tree I got for Christmas from my husband, and read all about how not to kill the poinsettia I have slowly strangled for the last two weeks.  Fertilizer in hand, I hope Jan. 2nd brings some perk in everyone.  I'm going to participate in Leslie Saeta's 30 Paintings in 30 Days again this year, but instead of working in oil, I'll be "frit painting" with glass so I don't get behind in my regular art job.  I learned so much from participating in this challenge last year, I'm really happy to be able to do it again.  Best to all of you!  ~Kelly

Bullseye Glass Portland Trip~ Part One

I am home from a wonderful week of Educator's workshops at Bullseye Glass, and now it's time to fill you all in on everything... I'm finally feeling 'back to earth' after a super busy week so to warn you ahead of time, so much happened that it's going to take several posts to share all of it~ Our class was a unique group of very talented and successful kiln glass artists from as far away as Scotland, England, Massachusetts, Florida, Texas, and more. It was interesting to see the scope and range of everyone's work as we all got to know each other. I feel blessed to have been part of such an accomplished group of artists. I'll link all of their websites later so you can check them out too. The first full day of class we worked on a kiln-forming 'forensics' type project (KSI) where we inspected around 35 glass pieces and had to match them to the firing schedules to find the problems. It was a bit overwhelming at first when we were handed the big stacks of kiln programs, but in the end it was really pretty easy and kind of fun. We returned to the research and education center and found that we each had a huge clean space to work in, and that there were 'shop fairies' who came along each day and completely cleaned up our workspaces. How I would love for them to have followed me home! Throughout the rest of the week, we were taught how to effectively teach new techniques in screen printing with powdered glass (Stacy Lynn Smith), pattern bars, cold working, and casting (Jim Weiler, Louise Krampien, and Bonnie Celeste. We had full access to Bullseye's entire product line and were allowed to experiment with new colors and products, (my favorites being the new half-millimeter stringers and new 'cream' non-reactive glass). I learned a lot about planning curriculum, teaching effectively and was given a lot of time and resources to create class samples on my own to use in my teaching. This talented group brought a lot to the table for the workshop, and I appreciate the immense amount of information we all took from each other during the week. I have to thank my personal tour guide and new friend, Chris Lally who took a huge chunk of her time to pick us up from the airport and show us the beauty of the Portland area. She is an accomplished painter and I met her during Leslie Saeta's "30 in 30 painting challenge" earlier this year. More to come on our Portlandic adventures with Chris and her husband Tim and all the terrific people I met...along with more glass stuff, of course!

Wonderful News!

Student projects from last weekend's Fused Glass Sgraffito Drawing workshop~
Look at all this fantastic work!
This was a really fun group to work with, and their pieces are all extremely well done. Hats off to you ladies!
Artwork from left to right:  Shirley Cole, Laurie Mueller, Gail Stanforth, and on bottom, Gloria Moses.

Next workshop is scheduled for August 9, 10, & 11, and we'll be doing something a little different! We'll be designing colorful cityscapes by incorporating powder drawings into a larger work of art.  You can find out all the details and registration information on my website   HERE.

Wonderful News!!!

As many of you know, I have been given the incredible opportunity to work with other glass artists and teachers for a week in Portland at the Bullseye Glass Factory next month.  I have had many sleepless nights worrying about how I was going to pay for the travel expenses to be able to do this.  Lots of my artwork has sold, but with 4 kids and bills it has still been really hard to save for the trip. 

Then came a huge surprise...

I got a letter in the mail saying I had been selected to receive a Palmer Scholarship from the Toledo Museum of Art, which will pay for ALL of my travel expenses for the trip!!!  I am so thankful to the donor who sponsored it, and I can't wait to be able to tell them how much it means to me.  I feel a huge weight removed knowing I'm not going to have to sink into debt to make the trip, and I'm going to learn EVERYTHING I can possibly soak up while I'm there (without the added worries)!  Thank you, Thank you to everyone who has supported me, and to TMA for offering these opportunities to help artists grow in their discipline.

Fear and Creativity... Shattered Glass and Success

Guess what I learned this week?  

Reverse enamel painting with 

Cappy Thompson!

Working on adding color to the inside of my vessel~ It's challenging to paint on the inside without disturbing what you've already painted!   We used sawed off brushes so the handles were short enough to keep the end from bumping paint that had already dried.  Cappy also taught us how to burn bristle brushes to make them curved like the inside of the vessel.  Pretty stinky but very effective!

 This was a fun week,  after spending 4 straight days at the Toledo Museum of Art's famous Glass Pavilion with master glass artist Cappy Thompson,  I feel artistically 'recharged'.

I've never had the opportunity to learn from a glass master before, so I was thrilled to hear that she was coming from Seattle to Toledo to teach.  Most of what I know about working with glass is the result of countless hours of crazy experimenting on my own, lots of reading, and not being afraid to screw up royally.  

Fear is something that burdens everyone.  Fear of the unknown, of being hurt, disappointed, unsuccessful, or misunderstood affects each one of us.  In a classroom setting, the fear of failure is usually lurking heavily in the background.  It tries to steal our confidence and it stifles our creativity...We get a few days to learn something completely new in hopes of leaving with a piece of artwork we can be happy with.  Even more intimidating is to be in a class with experienced people when you know big fat... nothing.

When I have the opportunity to try a new technique, I want to learn and understand EVERYTHING in a ridiculously short amount of time.  My mind races into creative 'what ifs' and swirls with ideas to the point where I can't think at all.  I want to skip over all of the beginning stuff and jump into the sea of major undertakings.  I don't care at all about bringing home something pretty.

 I seem to have lost much of my 'art fear' somewhere along the line, and I feel almost free.  I learn new things,  I don't care if my pieces turn out. (Of course it IS a bonus when they do turn out)  Truly, I only want to see if what I had in mind works, or does not work.  In fact, I could spend days, weeks, or months on a project... once I see it completed, success or failure I am satisfied.  The process is so much more important to me, and I really enjoy being part of the processes of others when I'm in a classroom.  Everyone is in the same boat, but our own fears and lack of experience can make us feel like we're in a canoe instead of an ocean liner.  

I wish more artists could ditch the fear.  Fear should not dominate creativity;  rather, creativity should put fear right back in it's place. FAR away from our studios, our classrooms, and our lives.  Something to think about, isn't it?

Creativity builds our skills and brings passion to use what we learn from our failures to create real successes.... 

I dropped my most successful piece from this class on the kitchen floor as soon as I brought it home, shattering it to pieces.  I was frustrated because I wanted my husband to see how it looked finished.(maybe in attempt to justify what I had been spending all of my time on this week...)  Anyway, it is true.  And I really don't care that it's gone because what I learned by making it cannot be shattered.  Every unsuccessful piece has brought me closer to something I can truly be proud of...

The group was fantastic, lots of very talented ladies here~ 

Love and dread? Yes.

This is the time of year I dread and love at the same time.  I love making things without the constraint of having shows every weekend.  I dread the art show applications (and inevitable rejection letters) along with the happy "you've been accepted' letters that also require a $500 payment to secure my space to exhibit.  I don't think most people realize that artists truly do gamble our lives each day.  We present new work to the jurors each year, and they collectively determine our potential for income.  It is a crapshoot, and I am happy to play.  So far I've been accepted to four shows with no true rejections, but I know those rejection letters are going to come.  It is hard to plan.  We never know what juries want to see, and hardly ever get feedback that helps. It's horrible to get those letters that say "We're really sorry" I'm really happy with the work I've been producing this month, and for now, that is what matters to me the most.

Want to help make a stranger's day?

"The Phoenix", Oil on Gessobord,   6"x 6"

Participate in this auction in my Daily Paintworks Gallery!

A friend and I went to this cafe for breakfast when I was teaching a glass class out of town.  A man came in while I was there, he was apparently mentally challenged and he looked cold and hungry.   I asked him if he was hungry and he said no but I could tell that he was.  He wanted a small cup of water.  

We secretly bought him a coffee and bagel and left without him knowing.

I think about this man often, wondering if he is cold and hungry a lot.

I want all of the proceeds from the auction sale of my painting to go to this coffee shop in Benton Harbor, Michigan, to start a sort of "kindness fund" in honor of that man. 

 It would be a great way to offer any random person the opportunity to have a free cup of coffee,  be warm, and feel cared about for awhile.  

Please, please share this story, and put in a bid if you're inclined.  You can do so by clicking the link under the photo.  You could get the painting and help a lot of people in the process! 

 It's going to be so great to surprise them...

Remember the Soup Nazi? Today's Landmark Painting Challenge: Wilson's Restaurant in Findlay, OH

Wilson's Sandwich Shop in Findlay, Ohio
Photo reference credit: Andrew Thomas Lee


  Well, today's painting challenge was to paint a local landmark, and I chose to paint Wilson's Hamburger Shop in my hometown of Findlay, Ohio.  My family came here a lot when I was a kid.  It was here before McDonald's, Burger King, or Wendy's, and popping in for a cup of coffee and a slice of pie is still a daily routine for many people here in Findlay.
What does this have to do with the Soup Nazi from Seinfeld?  Read on....

As a kid, we used to go sit down with Mom to 'hold the table' while my Dad went up to order.  I always got a 'special', which is a burger with lettuce, tomato, and mayo, and a malt or a 'frosted'.  It seemed like forever passed by while we waited for our food, and we would impatiently jump out of our seats at the table and go for a spin on one of these stools until we were dizzy.  Wilson's was always loaded with old people, and there weren't many kids around.

It wasn't until I was older that I realized that Dad didn't want us at the counter for a good reason.  The staff wasn't so patient with kids, especially the 'stool spinning' sort, and you had to order correctly to make them smile.  There is a certain way to do it, and you don't dare 'stray from the way'.  Ha!  So here is entertainment at it's best, a blog post with video!  You can check out the true scoop on Wilson's in Findlay by clicking this short video  link (starring my sister-in-law Angela), and then take a look at some of the Soup Nazi scenes, have a laugh and decide for yourself!

What about Wilson's? 
Seinfeld's Soup Nazi Scenes

 By the way, if you'd like to buy my painting of Wilson's Hamburger Shop, you can bid on it this week on Carol Marine's Daily Paintworks, bidding starts at $15!  

New Fused Glass Sgraffito Work in Progress Slideshow

Hey! I learned how to do a slideshow on my blog, this is great!  Now everyone can see what goes on while I'm working on a new piece.  Hopefully I can shed some light on the process for those who aren't able to attend a class:)  However, if you ARE thinking about taking a glass sgraffito class, don't be fooled by the photos~ it's not nearly as difficult as it might seem, and I can show you the tricks.  I will try to post sllideshows of works in progress more often if this works well.
 OK, short but sweet today, I'm off to visit the 3rd and 4th graders at Trinity Lutheran School for their weekly recorder lesson.  Love me those kids...

Freshening up in February, Here are some of the pieces I have available for sale

Monet Path, Fused Glass Frit Painting, $1495

 As I am freshening up around the studio, I wanted to post a few of the fused glass pieces I currently have available.  These are on display at Coffee Amici in Downtown Findlay during the month of February, and are available for purchase in my online gallery at Daily Paintworks.  If you are interested in learning about my process, you can check out my website or register for one of my upcoming classes in fused glass sgraffito drawing or "frit painting". 

Some really exciting news, (and words can't convey how excited I am!) 

PORTLAND!!  Bullseye Glass has invited me and 9 other glass artist/teachers to come to their factory's Research and Education Studio for a week in May for some in-depth training and collaboration.  More on that later.... But be prepared to hear about some fun specials I'll have coming up this month to help raise some money for a plane ticket and lodging:)  Planning to have some new work up by the end of the week!  Blessings to you...

Garden Party, Fused Glass Frit Painting $595 SOLD

Farm Storm, Fused Glass Collage $2300 SOLD

Paris Boat Dock, Fused Glass Powder Sgraffito Drawing $395

Sing Song City,  Fused Glass Collage $4295

Autumn Foliage (Unframed) $495

Paris Carousel $395

Starlight Boy

I finally got a decent photo of this glass sconce all nicely lit up~ and thought I'd share it with you.  Time to get back on track and in the mood to fire up the glass kilns again...

30 in 30 Painting Challenge is Finished... aw man.

This is my last painting of the challenge, and now I don't think I'll be able to walk away from painting entirely.

Well Rats... The Challenge I thought would be horrible is finishing up tonight.  30 Paintings in 30 Days    sounded like an insane thing to do, and I was so mad and frustrated when I began!  How on earth has it happened that I really don't want to stop?  I've learned a lot in these 30 days, watching the others involved in this challenge post their work each day has given me a new 'puzzle' to think about.  I wish I could watch each one in progress as I try to pick apart the way the piece came to completion.  I found that although I really don't know what I'm doing at all, it is becoming part of my day and like my coffee, I'm not sure how I'll be without it.  Just going out there and trying has been a really hard thing for me, as I expect perfection before practice.   I have learned a lot of what not to do, and am slowly getting a grasp on what 'TO" do.  The practice is becoming less painful all the time.  Hopefully some of the others in the group will want to continue at a more decent pace and still keep posting beautiful things for me to look at, and provide me with that much needed 'kick in the butt'.  Maybe the winter will go by faster this year...

Money on Trees and an Accidental Lemon Yellow incident involving a Dog with a Cone

Ok today was just silly, but read on, it's a good laugh.

I started out painting on Day #24 with the knowledge that I only had about 2 hours to fool around with this 30 paintings in 30 days challenge and the rest of the day needed to be productive since I have a show this weekend.  I had one canvas board left, and of course it was an 11x14, so it was going to take longer than I wanted.  I decided on something simple.  Money plants.  

I like money plants.  I remember my parents growing them.  For months they looked like a pile of weeds, and when the whole summer had passed, we got to help peel the leaves off to reveal the shiny insides.  I was about 5 years old and completely convinced that if I were careful enough, perhaps there might be some real money inside one of them.  Why else would my parents plant such a thing and spend so much time on them?  Looking back, I remember hearing someone say "Money doesn't grow on trees" and I was so disappointed for my parents, who kept trying to grow it.  Ha!  Anyway, I had a nice time reminiscing and painting along, thinking "dang, these things are HARD to paint, why did I pick this anyway"  when suddenly the front door of my studio flies open....

Now, just a wee bit of background here.  I have a little compulsion for musical instruments, and need to sell a few of them.  Mainly, 3 trombones.  My husband's friend, the high school band director was coming over and my husband decided it would be good to drag these trombones into the studio to see if he could tell us what they were worth.  My studio is set up for working in glass, not oil painting. I have no place set aside for paintings to dry, and as the end of this challenge draws near I have a pile of wet paintings lying about wherever I can find a place.  There are paper towels covered in turpentine and wet paint right outside my door so as not to cause a fire inside.  I have palette paper covered in paint from the last painting lying on a low table, and my cello is standing in it's case right near the front door. There is no room for these trombones.

Fast forward...

Mr. Honse comes in the door, which means the cello has to quickly be moved and I warn him (too late) about all the wet paint rags he just stepped in and now it's all over his shoes.  Then WHAM here comes my overly protective golden retriever in his CONE to see who is in the studio.  Cone drags through the palette paper, grabs a nice glob of lemon yellow all over, and in a matter of a second this poor guy has bright yellow oil paint all over his black coat and black dress pants.... aye...

So here's to today's painting effort, to all dogs who have been banished to cones, and to band directors everywhere.  Love you Buddy:)

My Dad's Paints

My Dad's oil paints from college~ that makes them 50 Years old and he is happy to see that they are being used again.  I am very proud of my Dad, and love that I have his paints:) I know we are all genetically influenced by our parents, and I am certain that I got my love of art from him.

Today's effort was to finish this, and I like it.

This is an "underpainting", which is a strange concept to me.  I am learning that my mind doesn't automatically think in terms of what to do in order of steps, so this is hard for me to begin from.  I don't like outlining things and would rather just start throwing in areas of color, but am finding that unlike underwear sticking out of someone's pants, 'underpainting' is nice when you let it show through the top layers of paint. 

30 in 30 Challenge Update...

 YEA!! I am finally getting it!  Painting every day is getting to be more fun now... I wonder if I'll have trouble going back to glass next month when this challenge is finished? I joined Carol Marine's Daily Paintworks this week, & love looking at all the 'real painters' works on the site.

The Phoenix cafe in Benton Harbor, MI.  I am enjoying palette knives and trying to paint glass and shiny things. I like a lot of Leslie Saeta's knife paintings on her page, and I am going to try more of these.

Another wet street in progress.  I think I found a subject I like.

My Brother's Rescue Husky, I got this far and realized that I didn't have room for his nose and ears on my board!

Painting, Painting, Painting

Last night something finally clicked... I learned that I am supposed to wipe my brush clean after every stroke, and that oil paint is it's own bird.  I can't expect it to behave like watercolor or acrylic, and now I can understand how watercolor might be difficult for an oil painter.  Pressing on, I know I am behind, but I am looking at this challenge in a more excited state of mind.  Finally I can begin to grasp these little things that are helping me see what I am doing wrong so I can correct them... 

30 in 30 Painting Challenge is stinking HARD!!!

 So... This idea I had of joining Leslie Saeta's 30 paintings in 30 Days Challenge was crazier than I suspected.  I am finding out that although I am struggling, I am learning a lot.  Starting out in a new medium is always frustrating as you learn the 'ins and outs' of what works and what does not, and patience is elusive.  Of course, I know exactly what I want to do, and think I can make it happen, but my lack of experience and high expectations are at war with each other...

The painting on the left (the wiped out one) was supposed to be part of a payphone. It looked easy in the reference photo, but quickly ended up to be 'simply impossible'.  I was mad,  then I quit.

A few days later, I un-quit and decided to suck it up and try again.  On the left is the painting I did of the failure earlier in the week.  Really, no matter how bad my paintings get I am still learning, and my brain is thinking in wonderful ways that are causing me to be more attentive to things such as stacks of orange barrels and backhoes, and inattentive to important things like...driving.  I am going down the road thinking about the juxtaposition of everything around me... values, colors, textures, lines...  Wondering what colors would I mix to get that blue tone I see in the snow, and what order would I lay out the colors... UGHHHHHHH!  Everything is suddenly beautiful and interesting enough to stare too long...  I am no longer safe to drive or be out in public.

I will vow to finish my painting for today before midnight, which is a scene from a vacation photo my parents took while in Europe.  Even though my paintings keep getting screwier, I will finish this challenge if I have to paint 10 paintings on the last day.

Painting 30 in 30? But I'm not a painter..

Well the new year has brought some great resolutions for 2013, and some fun challenges too!

I like to try new media here and there to jump start my creative side and throw me into the 'uncomfort zone'.  This year I signed up for a painting challenge, 30 small oil paintings in 30 days.  Crazy!
There are hundreds of people doing this, can you imagine 300 people doing 30 paintings?  That's potentially 9,000 paintings in only one month!

I always jump right into this kind of craziness thinking "I'm gonna do it!"  and also that miraculously I will be good at it.  Well, I can tell you it is going to be a long month.  I am a glass artist, not a painter and it shows.  LOL

Day One.
My husband suggested I paint a fire hydrant.  I said that a fire hydrant would be nice, but it would mean nothing to me.  He said "It would if you were on fire".  He is right, so here it is.

Day Two.
Learning about dealing with globs of paint and wet city streets.  

Check out some of the other artists' work at Leslie Saeta's blog:  http://www.lesliesaeta.blogspot.com.  This is the main site for the challenge, and we all admire her amazing paintings.

So far I've worked on 2 paintings, neither of them are great, and I am kind of disgusted at my lack of ability to handle oil paint (somehow it is everywhere, on every surface possible, and it looks like it's not going to be drying anytime soon)   However, I am determined to complete the challenge, and learn something with each attempt.  Follow along and see what happens!